Focused Open Studio: Flourish

Jewelry & Fine Metals

Focused Open Studio: Flourish Challenge

Pursue self-directed work on your jewelry for this season’s Flourish Challenge.

Tuition Assistance and Other Policies

Meeting Times
  1. Thur, 8/21/2025 10:30 AM - 4:00 PM

Thur, 8/21/2025

Closed

See additional date options »




Type:
Has Prerequisite, Open Studio

Location:
Jewelry & Fine Metals

Interests:
Jewelry Making, Jewelry Torch

About

The Summer ’25 themed challenge is “botanical.” The Flourish Challenge is designed to provide you with the little extra push and inspiration you’re looking for to use your metals skills to make something new.

Using any process, technique, or material that could be found in a jewelry studio, make a finished piece related to the botanical theme. 

This Focused Open Studio is limited to fabrication techniques. A safety monitor will be on duty. No formal instruction is given. 

Works from the challenge will be shown in the jewelry studio display case as space allows (optional).

Details

  • All skill levels are welcome. 
  • You can incorporate elements that you’ve made in other studios. 
  • The hand tools in the roll-up cabinets, soldering torches, and other fabrication equipment will be available for you to use. The lapidary, enameling, and casting equipment will not be available.
  • Bring a towel for cleanup.
 

Prerequisites

 

Class Policies

  • Registration is required.
  • Registration closes the night before at 11:59 PM.
  • Ages 14 and up are welcome.
  • Wear closed-toe shoes and natural-fiber clothing.
  • Do not wear loose or synthetic-fiber clothing, dangling jewelry, scarves, or ties.
  • Cover beards. Tie back long hair.

BARN Policies

Instructors or Guides

Joan Hammond

Joan Hammond began working in metal in 1994, when she started taking metalsmithing classes as an antidote to documenting computer software. What she discovered was a medium that not only used her training in painting, printmaking, and ceramics, but also opened the possibilities of creating art that can be worn. Family artifacts and history, plants and animals, and the textiles and jewelry of non-Western cultures inspire her current work, which she executes using various fabrication techniques, including chasing and repoussé.

Hammond exhibits locally and nationally. Her work has been published in Metalsmith magazine’s Exhibition in Print. She is a member of the Seattle Metals Guild and an active volunteer and instructor at BARN.

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