Introduction to 2D Wet Felting: Florals

Fiber Arts

Introduction to 2D Wet Felting: Florals

Learn all the basics you’ll need to start creating your very own wet-felted projects.

 

Tuition Assistance and Other Policies

Meeting Times
  1. Sat, 11/8/2025 10:00 AM - 1:00 PM
  2. Sun, 11/9/2025 10:00 AM - 1:00 PM

Sat, 11/8/2025 - Sun, 11/9/2025

See additional date options »




Type:
Class, No Prerequisite

Location:
Fiber Arts Studio

Interests:
Sewing

About

Learn what wet-felting is and why wool felts, through a brief history and biology of wool. Learn how to layer your wool project to obtain an even thickness felt and then create the leaves and flowers that you'll apply to your work. 

On the second day, you'll proceed to the wet part of your felting experience. You'll learn how to properly wet the fiber, the stages that wool undergoes during the felting process, and the difference between a prefelt stage, soft felt, strong felt, fulling, and shocking fibers. 
 
By the end of these sessions, you'll be able to embark on your very own felting adventure with the confidence and skills you've acquired.

Details

  • Skill level: Beginner. No experience required.
  • At the end of session two, while your work will be completed, it will still have residual moisture. 
  • Please inform the team of special requirements you may have due to shoulder or arm/hand injury that could make kneading or rolling motions difficult. Your instructor will provide mechanical rolling capabilities to make the necessary accommodations.

Materials

A $25 materials fee, included in the cost of the class, covers all materials needed to finish the project.

Class Policies

Ages 14 and up are welcome.

BARN Policies

Instructors or Guides

Veronica Lund

Veronica Lund is an award-winning Latinx fiber artist from South America. Her work has been shown in Chile and in the United States and has been featured in several publications. She currently lives and works out of her studio in Bremerton.
“I have embraced the ancient technique of wet felting to create canvases of wool and silk. My goal is to transform the fibers into pigmented brushstrokes in order to capture a body in motion or the subtle nuances of a human face.
Fibers are constantly alternating between art and artifact, between the utilitarian and the decorative. I have endeavored to bridge the chasm between brush and fiber to explore deeper relationships between humanity, nature, and technology.”
Her multiple exhibits and awards range from Chile to La Conner, Wash.



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